ECOLOGY OF FILM SOUND: FROM AUDIOVISUAL IMAGES TO AUDIOVISUAL SIMULATIONAL SOUNDSCAPES

The article examines the aesthetic and technological innovations in the modern film sound: it discusses the concept of "simulational soundscapes" and questions on the "acoustic ecology" in films. Expressive techniques are analyzed, by means of which the distance between viewers and cinematographic images is leveled in modern movies, as well as the viewer's physical participation is simulated in the events shown on a screen. The author proposes to expand the conceptual framework and the methodological basis of on-screen sound research using the concepts of acoustic ecology (R.M.Shafer) and the "event" sounds (R.Altman).